Thursday, December 14, 2006

Optimistic Songs

Like other works of art, songs have outlooks or moods. They can be "light" or "dark", optimistic or pessimistic.

Recently I was corresponding with a painter who told me that he could track the restless periods in his life by looking at his paintings. The moods on the canvas reflected the moods of his life, changing in rhythm from agitated to calm and back again.

I suspected I could find that kind of pattern in my body of work too. Yesterday I realized I was right, and I noticed an important twist. For me, the darker the mood, the brighter the song. (I'm sure there are exceptions to this...but there's a trend. I really remember feeling awful, for example, when I wrote "Einstein's Brain" [angry] and "When I Walk I Run" [sad].)

Yesterday I was writing this week's song for CIUT, with two candidates half-written. One had a dark mood, was set in a minor key, and had a serious political intent. Because I was struggling with my own dark mood, I found myself getting bogged down in it. It was striking me as ponderous and difficult and edgy (much like me actually). I put the song aside. But, unlike at other similar times, I didn't automatically think "it's not a good song". I just set it aside and started writing something I wanted to hear instead.

That "something" was very hopeful and optimistic. It's in a major key and is upbeat and affirming. Also, without any conscious intent on my part, the song ended up underlining the work of my friend Carol Kilby at The Gaia Centre in Haliburton, Ontario ("Work Like You Don't Need the Money"). Through the creative process, I made uplifting music that made me feel better and wrote lyrics that pointed me in a healthy direction.

This morning, I checked in with "the other song", thinking that perhaps it wasn't any good. To my surprise, it IS good! (Just as human beings still are, when they're feeling "bad".) Feeling more balanced today, I found I could work with it without being overwhelmed by its darker themes.

Tomorrow's song for Take5 is called "I'm Going to Work Forever", inspired by a story about the end of mandatory retirement at age 65 in Ontario. You can listen to it live tomorrow on Take5 on the Internet, or in Toronto at 89.5 FM.

Friday, December 01, 2006

What is the World Coming To?

This week for CIUT 89.5 fm's morning show Take 5 I was encouraged to write a song in honour of upcoming Global Orgasm Day on December 22nd. Last week, one of the show's reporters interviewed the founders of the first-annual event. They are a free-spirited and loving couple in San Francisco, both seniors, who invite everyone in the world to envision world peace while participating in an unprecedented surge of coordinated positive energy.

Now THIS is a song topic!

At first, I figured I'd simply roll with the double-entendres and the giggles, maybe throw the "F Word" into a lyric (rhymes with luck, buck, roll in the muck...) and have a good ol' romp in the studio on Friday, the climax of the week.

Then a funny thing happened. I went to the Global O website and saw how serious it is...and realized I couldn't make fun of it in good conscience.

I also realized, as I started to write, that it's a lot easier to write a good song about two people (even if they're fictional) as it is to write a song about Everyone-In-the-World-All-Longing-for-World-Peace. (Or, for that matter, to attempt to write the official Global O theme song.) Because my weekly task is to write a good song, fast, I can't hold out for "Imagine". I have to write something simple and immediate and true. This is an excellent rule-of-thumb for the successful writing of any song. Keep it simple. Start small and build up.

I started with several "small" ideas, and started assembling. The ideas were:
1) one clever lyric that said something meaningful ("what is the world coming to?", a pun which refers to both orgasm and the complexity of world problems), 2) a romantically bluesy chord change (because I wanted the song to sound sexy), 3) the notion of how this might concern one couple, not the whole world, and 4) the Internet. Why the Internet? Because this is the sort of story people exchange links over and laugh about from the remove of e-mail. I have always wanted to successfully make reference to e-mail in a song. (After hundreds of songs written about telephone conversations, it's about time.)

When I start with a combination of strong song elements like that, the creative process generally kicks into gear. Then, often, the song turns out to be something surprising and unexpected.

In this case, "What is the World Coming To?" turned out to be not upbeat and funny, but somewhat bittersweet...hopeful yet sad. And that seems right to me. Our lives (and loves) are seldom simple...and they blend pleasure and pain in all kinds of ever-changing and dynamic ways. That's true of our relationship with the planet as well as with each other.

(You can find the song to listen or download in Take5's archives.)