There’s a theory among songwriters that the faster a song is written, the better it probably is. Great songs such as Amanda McBroom's “The Rose” and Shirley Eikhard's “Something to Talk About” were said to be written quickly, and many of my best songs were too. The song seems to arrive fully formed, often taking shape in under a half-hour, and then all you have to do is tweak! It’s wonderful when that happens.
But sometimes it doesn’t. If I don’t have a deadline or reason to finish a song, I often abandon it if it’s taking more than a few days. I simply lose interest in it or it slips my mind or a new idea arises that I like better.
This week, because I was writing to a deadline, I had to stick with the project and not abandon ship. The song wasn’t a “quickie”. It took perhaps 10 or 15 hours, compressed over two rather uncomfortable days. During the process, I threw out two half-written drafts before finally landing on a concept for the song I liked.
What was “wrong” about the drafts I threw out? On the surface, not much. One of them was bold and catchy, the other sweetly lyrical. But something didn't sit right with me...and while deep in creative mode that's all I knew. It took a few days to see clearly that one was written in a detached, objective and preachy-sounding tone…and the other one, though pretty, seemed to lack confidence. (No doubt because I was taking so long to finish the song.)
Confidence is everything. And sometimes it’s important to have the confidence to NOT create fast. To take the time you need to experiment, get it wrong, throw it out. On my third try, I had a much better understanding of what I was trying to accomplish and the song was written successfully.
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